Solid State Logic XL-Desk 16 SuperAnalogue Mixer(Solid State Logic Xl Desk 16 Superanalogue Mixer)

Solid State Logic XL-Desk 16 SuperAnalogue Mixer

XL-Desk is designed for tracking or mixing engineers who require an analogue console within a DAW centric studio, but don’t want or need the integrated DAW control and analogue level automation other SSL console products have made the new hybrid studio standard. XL-Desk is in many ways a traditional 24 into 8 analogue console but it packs in an incredible collection of features. It has 20 channel strips: 16 dual input mono (switchable between main input or DAW return) and 4 stereo channels. The first eight channels have VHD mic pre’s. There is an 18 slot 500 format rack built in that can be used for processing or mic pre’s. XL-Desk ships with a legendary SSL Stereo Bus Compressor module in slots 17 & 18 (hard wired to Mix A). The rack has its own dedicated high spec’ power supply. There are four main Mix Busses (A, B, C, D) with buses B, C and D able to be summed into Mix A. The Busses and channels can access the 500 rack and each have a separate insert point for processing. There are two mono aux sends and two stereo return inputs. Direct outputs on every channel, stereo return and mix bus enable convenient stem printing. Each channel has a Cue Stereo Bus section (with Pan and Volume) used to provide one of the headphone mixes while tracking. At mixdown the mono channel DAW return signals can be routed to the CUE ST bus and then summed into Mix A, so there are 16 main faders + 16 Cue ST inputs + 4 Stereo channels providing 40 summing inputs (using the stereo returns and insert Sum functions you can squeeze in over 50 summing inputs). There is also a fully-featured monitoring section with bass management (3 sets of speakers + subwoofer), Foldback A and B with individual talkbacks for headphone mixes and a built in Listen Mic input + classic compressor circuit, with its own direct output.

Key Features

• For many of our users combining different tonal characteristics from a range of analogue equipment by a selection of manufacturers is an integral part of their sound
• The popular modular ‘500 format’ facilitates the use of a wide range of analogue processing modules from different manufacturers. So, built into the penthouse of XL-Desk is an 16-slot 500 format rack
• This rack can be loaded with any combination of SSL or third-party 500 format modules, as desired by the user. The in-built 500 rack offers the user the opportunity to add their own favourite sonic flavours to their SSL console, whilst keeping it all within arm’s reach
• Each of the mono channels of the XL-Desk (1-16) has access to its own corresponding slot in the rack and the channel strips access them via a ‘500’ Insert summary
• The four Stereo channels cannot access the 500 rack. Slots 17-18 are hard wired to Mix A to accommodate a stereo mix bus compressor and XL-Desk ships with these slots pre-loaded with 500 format module version of the legendary SSL G Series Bus Compressor
• The monitoring system of any professional music environment is one of the most important parts. XL-Desk offers a pristine, SuperAnalogueTM monitoring section, packed with useful features
• There are three sets of stereo monitor connections (Main, Mini 1 and Mini 2) plus a sub connection. These are controlled by a front panel summary matrix with individual Level controls